
Guitar Talk: Studio Ace and Songwriter Danny Kortchmar on Bonding with His Acoustic
Kortchmar discusses what has been the biggest adjustment in switching from electric to acoustic guitar live.

Kortchmar discusses what has been the biggest adjustment in switching from electric to acoustic guitar live.

Along with his brother Duane, Gregg and Duane formed the Allman Brothers Band, a powerhouse band that pioneered a new, groove-and-guitar-based style that came to be known as Southern rock.
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This summer, upwards of 30 young guitarists will participate in the first-ever Guitar Foundation of America’s (GFA) Guitar Summit

“A lot of experimentation mixed with, hopefully, a good teacher that plays well can be a path to finding your tone or sound,” says the Grammy-winning guitarist.

Cooder and others honored the internationally acclaimed singer, performer, and prolific composer Eduardo “Lalo” Guerrero on what would have been Guerrero's 100th birthday.
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The City of Angels has a lot to offer acoustic guitarists wanting to buy a new axe, hit up an open mic, or listen to bluegrass while chowing down on pizza.

“A friend of mine once said, ‘You’re the most egoless guitar player I’ve ever met,’” Ann says. “It’s not about me, it’s about how I fit into the band and how I can make them happy."

The legendary Scottish musician sojourned through the pits and pinnacles of music-making guided by his own compass, largely disinterested in popular trends.
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Brown, a longtime Gibson player, had more than a few tales, including one about discovering a sweet vintage Martin D-18.

AG couldn't resist asking Muldaur to ruminate on the art of finding your own musical voice: How does one find their own style that is informed by the blues legends but does not mimic them?

Looking back on his impressive, 45-year career, John McCutcheon, who recently released Trolling for Dreams, discusses the role of music and guitar-playing in family life, his first guitar, and why it's important for guitarists to not compare themselves to their heroes.
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Today’s rising generation of bluegrass musicians carries on the tradition of remaking the tradition in their own way, as is clear from these conversations with six standout guitarists.

Ron Block discusses his formative influences, buying his first good guitar at his father’s music store, his tunings, and the best way to start learning to play bluegrass.

Wilson discusses his passion for bluegrass and how that excitement is conveyed in his band's music

Covering a range of standards and rarities, these 17 new tracks with guitarist Shawn Camp find the Earls of Leicester at the top of their game.
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Here's a brief look at six often-overlooked women who took the guitar to new places and left their imprints on modern music.

Powerhouse British guitarist and singer-songwriter Laura Marling—whose meteoric rise began when she was 18 with her 2008 debut album Alas, I Cannot Swim (Virgin)—has women on her mind. “It occurred to me that in ten years of making records, I had only come across two female engineers working in studios,”…

From the March 2017 issue of Acoustic Guitar | BY WHITNEY PHANEUF, ANNA PULLEY, KAREN PETERSON & PAULINE FRANCE When the editors of Acoustic Guitar decided to carve out a special section on the topic of women, guitars, and success, I was hesitant. The sheer act of compiling women guitarists, educators, and luthiers into a…
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In this video, Fer discusses some of the challenges she faced as a female guitarist playing the bar scene, how Ani DiFranco inspired her, and the instrument designed specifically for her by AJ Guitars, named Mrs. Robinson.

Sainte-Marie opens up about how she’s persevered—as an artist and an activist—and why she’s uplifted by the fact that there’s always more work to be done.

Williams has a career than spans more than six decades, including associations with Mickey Newbury and Harry Nilsson
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Those who know Eric Johnson only for his rock instrumental “Cliffs of Dover”may be shocked by the guitarist’s first all-acoustic set.

David Bromberg is back at the top of his game, playing blues that are as funny as they are sad and talking about old songs, new chords, and his custom Martin 0000s.

The contemporary pop-music scene boasts a small, but enthusiastic, cadre of tenor fans seeking to add color to their stage and studio sound.
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‘My first memory of a Weissenborn was seeing them—not even hearing them—and going, “God, that’s one of the more beautiful instruments I’ve ever seen come through the doors of my family’s music shop.”’