On Christina Vane's album Make Myself Me Again, the slide guitarist is exploring what it means to reconnect with herself in a new, unfamiliar city where she seems to fit right in.

On Up the Hill and Through the Fog, the Slocan Ramblers make a clean break from their folk-trad past and establishing three distinctive voices to make the group greater than the sum of its parts.

Stylistically, Joe Russo’s Almost Dead guitarist Scott Metzger's solo acoustic album, Too Close to Reason, covers a lot of territory in what he calls his “sonic landscapes.”

Dark Enough to See the Stars is what we call a happy album for Mary Gauthier—the happiest album in her career, recorded at the happiest time in her life.

Clocking in at 33 minutes—shorter than many Phish prog-rock jams— Mercy puts the spotlight on his singing and acoustic guitar work.

Sephardic songs from 15th century Spain and tunes from the American folk tradition fuse together as the core of Lily Henley's album Oras Dezaoradas.

The album is a collection from a wide spectrum of writers, styles, and eras, beautifully presented in (mostly) acoustic settings.