
Learn a Contemporary Fingerstyle Arrangement of “Cielito Lindo,” a Mexican Cultural Treasure
Janet Noguera reimagines the iconic Mexican tune “Cielito Lindo” with modern textures, lush harmonics, and unexpected chord movement.

Janet Noguera reimagines the iconic Mexican tune “Cielito Lindo” with modern textures, lush harmonics, and unexpected chord movement.

Much like Van Ronk himself wasn’t concerned with strict adherence to societal norms, the version doesn’t follow the original chords exactly.
ADVERTISEMENT

Although this is a dyed-in-the-wool old Irish melody, you’ll notice a bit of a slack-key influence; at times the arrangement sounds more Hawaiian than Celtic.

The song is a lament, performed in the style of an Irish slow air, so take it slowly, making every note count to convey the song’s brooding mood.

This accessible arrangement, inspired by Maybelle Carter’s style on classics like “Wildwood Flower,” is perfect for the holiday season.
ADVERTISEMENT

With its simple, movable chord shapes—many requiring just two fingers—open-D tuning adds a shimmering quality to this traditional song.

This fingerstyle Christmas medley includes “Angels from the Realms of Glory” and not one but two versions of “Away in a Manger.”

Metheny manages to capture the wistful vibe of this Beatles classic while casting it in a bossa nova–inspired setting and updating it with his intricate sense of harmony and phrasing.
ADVERTISEMENT

Hill’s rendition of this traditional Missouri fiddle tune sounds straightforward but is deceptively tricky.

My instrumental arrangement of “Idumea” was originally conceived for clawhammer banjo, but here I’ve translated it to guitar with an alternating bass pattern.

In this live workshop, ‘Holiday Songs for Fingerstyle Guitar’ author Sean McGowan explores an arrangement from the book and gives an inside look into his arranging process.
ADVERTISEMENT

This lovely piece is played in a nonstandard tuning, with the sixth and fifth strings tuned down to C and G, and a capo at the second fret.

This interpretation honors the original melody of this 100-year-old tune while rendering it with a flatpicking approach that nods toward more contemporary figures.

Inspired by Skye's Pennsylvania childhood, this wistful and captivating tune is increasingly played at bluegrass and old-time gatherings.

Most of this arrangement's melody notes are reachable without leaving first position, and all the necessary bass notes are easily played.
ADVERTISEMENT

Originally released in 1991 and re-released on this year's ‘At First Light,’ this challenging tune features nearly three dozen different chords.

Originally published in 1844, the song remains a popular favorite among children and adults to celebrate Thanksgiving and the Christmas season.

“Sidewalk Chalk” is a lovely waltz with a beautiful set of chord changes. It’s also quite approachable and, like so much of Levy’s work, is a joy to play.
ADVERTISEMENT

This ragtime-inspired composition leaves a lot of room for improvisation and variations on the main themes.

“Big Sciota” is not necessarily easy to play, but if you stick with it, you'll learn a fun and well-known tune and develop some powerful chops in both hands.

With its "quirky rhythmic and harmonic twists and turns," this piece moves all around the fretboard.
ADVERTISEMENT

The arrangement is fairly undemanding of both the picking and fretting hands and makes strategic use of the open strings.

The brilliance of Watson’s right-hand technique can be clearly heard on this punishingly fast instrumental

This version of “Little Liza Jane” comes from the eastern Kentucky fiddler J.P. Fraley (1923–2011), who played it in the key of A major.
ADVERTISEMENT

Strings' version of this traditional song includes two solos that quote some signature Doc Watson licks.