
Learn to Strum and Sing Fats Wallers’ Classic “Ain’t Misbehavin’”
Penned in collaboration with composer Harry Brooks and lyricist Andy Razaf, the song made its debut in 1929 and was an instant sensation.

Penned in collaboration with composer Harry Brooks and lyricist Andy Razaf, the song made its debut in 1929 and was an instant sensation.

The guitar part is challenging yet satisfying to learn, full of unusual changes and rich voicings.
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“Waiting for a Train” first became a hit in 1929. Here, we’re keeping it simple and playing in C—an easy key for open-position cowboy chords.

“Michael” uses a four-chord progression, arranged here in D (D, F#m, G, A7).

First released in 1994 with the movie ‘Reality Bites,’ “Stay” is in the long lineage of breakup songs, but in many respects is far from a conventional pop song.
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The transcription here is based on the version Flemons recorded for his 2018 album ‘Black Cowboys,’ which highlights the African American experience in country music.

As with all of the duo’s songs, the basic ingredients of “Empty Trainload of Sky” are dead simple, with just two sections and four chords.

Compared to some of the songs we’ve covered in this series, this is a fairly adventurous arrangement using quite a few chords.
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This intimate song is built on layers of acoustic guitar, with fingerstyle parts that are so closely entwined it’s often hard to pick out the individual instruments.

This mellow 1974 tune features an acoustic solo that requires a bit of dexterity and finesse to play convincingly.

Learn to play “It Ain’t Me, Babe,” first released on the 1964 album ‘Another Side of Bob Dylan,’ a defining piece of Dylan’s catalog.
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“Jailhouse” has been recorded many times over the years—often in very divergent styles—by the likes of Hank Snow, Johnny Cash, and others, and has been featured in major motion pictures.

“Green, Green Rocky Road” is a traditional song that originated in the American South. Learn a dropped-D arrangement inspired by Dave Van Ronk's seminal version.

Mississippi John Hurt (1893–1966) was one of the great country blues singer-songwriters, and a superb, subtly eccentric guitarist whose work was teeming with colorful details. One of his most well-known recordings, “I’m Satisfied,” related to the Memphis Jug Band piece “You May Leave, But This Will Bring You Back,” offers…

Learn a fingerstyle arrangement of this ballad; a tune interpreted by Paul Brady, Bob Dylan, Aoife O'Donavan, and countless pub session players.
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There’s a fair number of chords in this arrangement—14 shapes in all—but they are mostly in open position and easy to play.

This arrangement is based on the original studio recording, which spotlights a fingerpicked acoustic guitar.

The transcription here captures Prine’s original studio recording note for note.
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Add this classic country tune, replete with Jimmie Rodgers’ trademark yodeling, to your repertoire.

What really sets this version apart is the use of five half-step modulations that keep raising the tension with each pass through the song.

Learn to play an African American spiritual as interpreted by the legendary bluesman Mississippi Fred McDowell
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This gently rolling ballad is not only satisfying to play, it shows the musical benefits of learning pieces not originally composed for guitar.

While details of Mitchell's playing are tough to discern on the original, this newly released solo demo is especially illuminating.

"Blue Skies,” arranged here in the guitar-friendly key of C, has been covered in many popular styles from ragtime piano to big band jazz to country.
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As I write this, California is seeing historic atmospheric rivers and treacherous flooding and I can’t help but think of this song from the blues canon.