
Review: Ryan David Green Delivers a Tuneful Solo Guitar Debut with ‘Off and Running’
Green’s playing throughout is crisp and clear, with attention to the fine details of tone and articulation.

Green’s playing throughout is crisp and clear, with attention to the fine details of tone and articulation.

This arrangement takes some cues from the Dead, but uses dropped-D tuning for more low end punch and adds a bunch of flatpicking fun.
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This basic lesson focuses on using hammer-ons and pull-offs with open chords—creating classic sounds heard throughout roots, country, and rock guitar styles.

Sam Grisman Project, Andy Falco and Travis Book, Wake the Dead, and Grahame Lesh share thoughts on what the Dead's songbook means to them, and how they approach it as a living tradition.

Whether I fingerpicked, played bluesy lead lines, or dug into percussive strumming, the Micro delivered a clean and detailed sound.
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“Critter” chats about his bluegrass travels, lessons learned from Tony Rice, and the discovery of his holy grail guitar.

While details of Mitchell's playing are tough to discern on the original, this newly released solo demo is especially illuminating.

D’Agostino uses unorthodox tunings, percussion, and other techniques to open up new vistas on the instrument. Yet his compositions feel driven by melody.
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Like a magic trick on your guitar, partial capos hold down some strings while leaving others untouched, changing the intervals between open strings.

With tight harmonies, sturdy twin guitar strumming, thoughtful lyrics, and a bit of vocal countermelody, the song has all the hallmarks of the duo's style.

Catch up with one of your favorite bluegrass bands!
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New Rhino set spans a time when Mitchell made multiple musical breakthroughs—as a songwriter, guitarist, and bandleader.

Thirty five years after its release, this powerful narrative, with its distinctive guitar part, feels as vital as ever.

Lowering your first and sixth strings from E to D opens up enticing new possibilities on both the low and high ends of the guitar.

What gives this music such vitality and allure, even for those who didn't grow up with Beatlemania in the 1960s?
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Joey Ryan and Kenneth Pattengale, aka the Milk Carton Kids, discuss the creative process behind what is perhaps their strongest set of songs to date.

It’s remarkable to say that even after all these decades of exploring all sorts of sonic and stylistic terrain, ‘Seven Psalms’ is unlike any other Paul Simon creation.

Watkins has developed a guitar vocabulary quite different from the classic boom-chuck.
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We sat down with Bruce Cockburn to discuss songwriting, creativity, guitars, and his top guitar-playing tips.

On ‘Celebrants,’ their first new record in nine years, the trio rekindles their connection and explores new territory.

Here are some of the evocative sounds you can create using chord voicings with notes that are close to each other—just a half step or whole step apart.
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To learn more about Larkin Poe's journey from acoustic roots music to amped-up rock, we caught up with the sisters by phone from their home bases in Nashville.

One of the pleasures of DADGAD and other open tunings is letting open strings add lush extensions to chords, as in this arrangement of "Wish You Were Here."

With its character-driven narrative and fingerpicking guitar, “Just Like That” taps into Raitt’s love of the folk ballads of her songwriting contemporaries.
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“It’s one of those lonesome blues things, but it’s not a standard 12-bar blues... It’s more like a folk song,” says Traum