
Album Reviews: Revealing Solo Guitar Outings from Duck Baker and Nathan Salsburg
Two albums reviewed, Duck Baker's Demos & Outtakes, and Nathan Salsburg's Third

Two albums reviewed, Duck Baker's Demos & Outtakes, and Nathan Salsburg's Third

Star duets bring out guitar slinger’s best
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In the six years since Small Source of Comfort, his last album of new songs, Bruce Cockburn has gotten married, settled in San Francisco, become a father for the second time, and started going to church again. That’s a lot,…

On their first recording together, mandolinist David Grisman and guitarist Tommy Emmanuel prove to be perfect partners.

Dog is a triumph of Parr’s art, grappling with mortality, mental illness, desperation, and the urge to stay inside all day long.
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For years, Joe Bonamassa used to sneak three or four acoustic songs into the middle of his live shows. That changed in 2013, when he retooled his back catalog for An Acoustic Evening at the Vienna Opera House, and four…

With some maturity and distance, the 31-year-old Pecknold said he was finally ready to resume; the result—Crack-Up—is worth the wait.

Junkyard virtuoso’s DIY approach is heartfelt and intense
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"No blues society is going to come in and save blues music. That’s not how it works. The only thing that can save it is people making good music that other people want to hear."

“A friend of mine once said, ‘You’re the most egoless guitar player I’ve ever met,’” Ann says. “It’s not about me, it’s about how I fit into the band and how I can make them happy."

Covering a range of standards and rarities, these 17 new tracks with guitarist Shawn Camp find the Earls of Leicester at the top of their game.
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David Bromberg is back at the top of his game, playing blues that are as funny as they are sad and talking about old songs, new chords, and his custom Martin 0000s.

It's hard to overestimate the impact Will Ackerman’s first album of reflective music had on the acoustic-guitar world.

Album focuses on simple, direct folk versions that hew close to the heart of these tunes.

They’re not trying to recapture these Flatt and Scruggs songs, they’re trying to keep them alive
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Snider is still brilliantly unpredictable, still sharp as a broken bottle.

Billy Bragg and Joe Henry took a long train ride, from Chicago to LA, stopping at stations to record great railroad songs.

“At one point, I was like Mr. Guitar in Greenwich Village,” says Bruce Langhorne, talking by telephone on the 50th anniversary of "Mr. Tambourine Man"'s release.
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There’s a lot about the way Bryan Sutton plays guitar, but it’s all about flow and movement, and moving forward through something.

For this first album as a duo, they’re collaborating as songwriters

Their first album in 11 years is at least as good as anything they’ve ever done, and probably better.
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In a debt to Robbie Basho, Osborn calls his approach “free-raga style” or “American raga.”

It marks the first time he’s recorded an entire album on acoustic guitar—and it was well worth the wait.

Sultans of String succeeds brilliantly, thinking like classical musicians and listening like jazzmen
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On the new Blues & Ballads: A Folksinger’s Songbook, Volumes I & II (New West), he’s taken songs from his catalog, re-recorded them as folk song