
Great Acoustics: Barney Kessel’s Well-Worn 1931 Gibson L-5 Helped Score Hits by Ella Fitzgerald, Elvis, and Others
In July 1948, Kessel purchased this early Gibson L-5 from Smith and went on to use it for two decades of studio sessions.

In July 1948, Kessel purchased this early Gibson L-5 from Smith and went on to use it for two decades of studio sessions.

Isbell owns some prized vintage guitars, but when it came to recording his latest solo acoustic album, the singer-songwriter turned to this smaller and plainer 0-17.
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The maple back and sides were stained into a glowing red color using cabernet sauvignon from the owner's winery.

This well-used dreadnought is the original guitar of the Acoustic Guitar Project, which challenges songwriters to write and record a song in one week on a specific instrument.

The guitar has an uncommon resonance and complexity, thanks to the harp’s extended arm, soundboard, and back
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With its 16-inch head, this oversized instrument—Dubbed Big Head Joe by its owner, Dom Flemons—has all the punch and power you could want.

The Emperor pictured here was made in late 1949, and has a carved spruce top, carved maple back, and extensive inlay work befitting such a fancy guitar.

Twitty was renowned for his voice, his hair, and songs like “It’s Only Make Believe,” but he also had excellent taste in acoustic guitars.
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“It’s probably the most exquisite acoustic guitar I’ve ever played,” says guitarist-composer Joe Gore, who has worked with Chapman for many years

Cash used this guitar in the series of critically acclaimed studio albums he made with producer Rick Rubin.

The exhibition represents a good balance of musical instrument types and makers, time periods, and styles, grouped thematically and by era.
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Playability and structural integrity are critical in a used guitar, especially those made half a century or more ago.

With its extensively engraved gold-plated hardware, the Bella Voce (along with the equally fancy Florentine model) was the most expensive banjo in the Gibson catalog.

Two instruments belonging to Cesar Rosas and David Hidalgo reflect the breadth of the band’s influences and dedication to tradition.

Denver used this ornate, custom Yamaha extensively in concert and on TV (and on his album cover with the Muppets).
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The story behind Davis’ SJ-200 is as murky as a Louisiana swamp.

Basho created an alternate universe of mystical, spiritual music using this century-old 12-string of mysterious origin.

All of the pieces fit together for Brandt when he built this “jigsaw puzzle” guitar.
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With is elliptical soundhole and dual soundports, the innovative Rocket Convertible is a great example of Monteleone's vision and craft.

The 1991 Collings Custom C10 (serial number 524) was James’ main flattop for three decades, and the one he considered his best.

Levin instruments have been played by many of the finest European guitarists. The 1948 Model 1 De Luxe archtop shown here sat at the very top of the Levin line.
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Though long favored by jazz and swing guitarists, the archtop is currently enjoying a revival among roots and Americana musicians, flatpickers, and singer-songwriters.

This 1933 Martin 12-fret, slot-head D-28 is George Gruhn's favorite flattop steel-string guitar. Here's why.

This Martin D-18 had a homecoming in 2009, but not before helping launch a country legend.
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The steel-string acoustic guitar appears in many different sizes and shapes. This guide gives a general understanding of the most common styles and what they may offer players.